{"id":2,"date":"2012-10-10T16:22:36","date_gmt":"2012-10-10T21:22:36","guid":{"rendered":"http:\/\/laurenciastrauss.com\/?page_id=2"},"modified":"2019-10-21T15:21:24","modified_gmt":"2019-10-21T19:21:24","slug":"sample-page","status":"publish","type":"page","link":"http:\/\/laurenciastrauss.com\/?page_id=2","title":{"rendered":"resume"},"content":{"rendered":"\n

LAURENCIA\nSTRAUSS<\/strong><\/a><\/p>\n\n\n\n

laurencia.strauss@gmail.com\n| 786.423.7324 | http:\/\/laurenciastrauss.com<\/p>\n\n\n\n

education<\/strong><\/p>\n\n\n\n

Washington\nUniversity in St. Louis \/ Masters of Fine Arts <\/p>\n\n\n\n

Rhode Island\nSchool of Design \/ Masters of Landscape Architecture<\/p>\n\n\n\n

Penland\nSchool of Crafts \/ Core Fellowship Program <\/p>\n\n\n\n

California\nCollege of the Arts \/ BFA Sculpture with Honors<\/p>\n\n\n\n

Oberlin\nCollege \/ BA Women Studies, Environmental Studies, Black Studies, Anthropology<\/p>\n\n\n\n

coursework<\/strong><\/p>\n\n\n\n

ICA \/ Miami,\nFL \/ Summer Intensive Art &Research Institute <\/p>\n\n\n\n

ArtCenter\/South\nFlorida \/ Miami Beach, FL \/ Applied\nArtistic Research<\/em> <\/p>\n\n\n\n

Cannonball \/\nMiami, FL \/ research.art.dialog <\/em><\/p>\n\n\n\n

Boston\nArchitectural College \/ Boston, MA \/ Teaching\nfor Understanding <\/em>\/ Teaching as\nInquiry \/ The Multicultural Classroom <\/em><\/p>\n\n\n\n

selected exhibitions and interventions<\/strong><\/p>\n\n\n\n

2019<\/p>\n\n\n\n

Miami\n\/ Jose Marti Park \/ Flood-no-More: Climate Art Pop ups \/ The Bubble Pops<\/em><\/p>\n\n\n\n

Miami\nBeach \/ The Office of Reflection \/ Oolite Arts \/ The Bubble Pops with the\nAdvice Bike<\/em> \/ installation and participatory bike audio project<\/p>\n\n\n\n

Chicago\n\/ DePaul University \/ The World to Come<\/em>\n\/ Shifting Zero – Don\u2019t Ask Don\u2019t Tell <\/em>\/\nvideo<\/p>\n\n\n\n

Ann\nArbor \/ University of Michigan Museum of Art \/ The World to Come<\/em> \/ Shifting\nZero – Don\u2019t Ask Don\u2019t Tell <\/em>\/ video<\/p>\n\n\n\n

Miami\n\/ EmersonDorsch Gallery \/ Paradise Summit<\/em>\n\/ Portable Memories in Rising Seas with\nStories for Fishes<\/em> \/ Fifty-Fifty Art Collective<\/p>\n\n\n\n

2018\n<\/p>\n\n\n\n

Gainesville\n\/ Harn Museum of Art \/ The World to Come<\/em>\n\/ Shifting Zero – Don\u2019t Ask Don\u2019t Tell <\/em>\/\nvideo<\/p>\n\n\n\n

Miami\n\/ Emerson Dorsch Gallery \/ The Bubble\nPops\/ participatory project<\/em><\/p>\n\n\n\n

Miami\n\/ 777 International Mall \/ The Bubble\nPops \/ participatory project<\/em><\/p>\n\n\n\n

Miami\n\/ <\/em>Creative Time Summit Miami \/ Queer Interventions \/ collaboration with\nRicardo E. Zulueta<\/em><\/p>\n\n\n\n

Miami\nBeach \/ ArtCenter\/South Florida SAND<\/em>\n\/ The Bubble Pops<\/em> \/ participatory project<\/em><\/p>\n\n\n\n

Miami\n\/ Miami-Dade Public Library \/ Portable\nMemories in Rising Seas<\/em> \/ Fifty-Fifty Art Collective \/ participatory project\nand exhibition<\/p>\n\n\n\n

Miami\n\/ 777 International Mall \/ SLRAII (Sea Level Rise Architectural Intervention\nInstitute) \/ 2118 \/ collaboration with Jason Lazarus<\/p>\n\n\n\n

Key\nWest \/ The Studios of Key West \/ Portable\nMemories in Rising Seas<\/em> \/ Fifty-Fifty Art Collective \/ participatory\nproject and exhibition<\/p>\n\n\n\n

Miami\n\/ Hibiscus Gallery at Pinecrest Gardens \/ The Miami River Project \/ The Rivers Beneath Our Streets<\/em><\/p>\n\n\n\n

2017<\/p>\n\n\n\n

Miami\n\/ RAW \/ The Bubble Pops<\/em> \/\nparticipatory project<\/p>\n\n\n\n

Miami\nBeach \/ Satellite Art Show \/ Hope and\nDoom 2.0<\/em> \/ solo show <\/p>\n\n\n\n

Kansas\nCity \/ Kansas City Art Institute \/ The\nFountain That Crossed the Line <\/em>\/ collaboration with D. Rodriquez and L.\nRemor \/ participatory project<\/p>\n\n\n\n

Ft.\nLauderdale \/ Opposing Futures<\/em> \/ Speculative Offshore Futures<\/em><\/p>\n\n\n\n

London\n\/ American Indian Workshop, Univ. of London Goldsmiths \/ Mni\nWiconi \/ Airboatigraphy \/ collab with H. Cypress and A. Baks-Tigertail<\/em><\/em><\/p>\n\n\n\n

Miami\nBeach \/ Studio 924 \/ Flooded Sanctuaries<\/em>\n\/ Adaptations: indeterminacies between land\nand water<\/em><\/p>\n\n\n\n

Brooklyn\n\/ Through A Honeycomb \/ Trestle Projects \/ Land\nArt Compost Bin Remakes<\/em> \/ videos<\/p>\n\n\n\n

2016<\/p>\n\n\n\n

Miami\nBeach \/ Satellite Art Show \/ Hope and\nDoom <\/em>\/ solo show <\/p>\n\n\n\n

Miami\n\/ Transversal Projects \/ Adaptations<\/em>\n\/ video screening <\/p>\n\n\n\n

Miami\n\/ O Cinema \/ TRANSMISSION<\/em> \/ with\nFifty-Fifty \/ two projects that navigate hope and doom, videos, screening,\nparticipatory print project <\/p>\n\n\n\n

Ft.\nLauderdale, FL \/ The Box Gallery \/ Waterscapes<\/em>\n\/ video, c prints, benches; water issues of South Florida and Brazil with Brazilian\nartists <\/p>\n\n\n\n

Porto\nAlegre, Brazil \/ Galeria Peninsula \/ Infiltra\u00e7\u00e3o\n<\/em>\/ solo show \/ video, bench, mixed media sculptures, c-prints <\/p>\n\n\n\n

Penland\n\/ Penland School \/ Artist Residency \/ Landlines<\/em>\n\/ public outdoor participatory sound installation addressing a declining local tree\nspecies <\/p>\n\n\n\n

Ft.\nLauderdale, FL \/ FAT Village \/ Portals<\/em>\n\/ glow-in-the-dark castings in concrete floor cracks<\/p>\n\n\n\n

2015<\/p>\n\n\n\n

Miami\nBeach \/ HighTide \/ Mickey Mouse\nOperations, a Gift to Paul Singer <\/em>\/ c-prints, video of international action<\/p>\n\n\n\n

Miami\nBeach \/ HighTide \/ New Ground<\/em> \/\nliving modular compost system with shredded art fair paraphernalia as worm\nbedding <\/p>\n\n\n\n

Miami\nBeach \/ HighTide \/ Shifting Zero, Don\u2019t\nAsk Don\u2019t Tell <\/em>\/ video action addressing sea level rise in FL <\/p>\n\n\n\n

Key\nWest \/ The Studios of Key West \/ Talking\nto Satellites<\/em> \/ installation with video and c-prints of bicycle and GPS\nwritten phrase <\/p>\n\n\n\n

St.\nLouis \/ Fort Gondo Compound for the Arts, Granite City Arts District \/ The Forgetting and Remembering of the Air<\/em>\n<\/p>\n\n\n\n

Key\nWest \/ Bike Tour: Ingenious Drinking\nWater Strategiesof Key West (Some bad, some good) <\/em>\/ water ecologies bike\ntour <\/p>\n\n\n\n

Knoxville\n\/ SGC International Conference\/ Signs in the Public Sphere Project \/ Ferguson<\/em> \/ with Lisa Bulawsky and Emily\nSquires <\/p>\n\n\n\n

Providence\n\/ International Art Festival \/ Lemonade\nExchange: collecting unexpected lessons in shared city spaces<\/em> <\/p>\n\n\n\n

2014<\/p>\n\n\n\n

St.\nLouis \/ Impossible Wants<\/em> \/\nparticipatory poetry and city repair \/ Maura Pellettieri, poets, artists, the\npublic and St. Louis City Street crews <\/p>\n\n\n\n

Miami\nBeach \/ Windows at Walgreens \/ Talking to\nSatellites<\/em> \/ c-prints of bicycle & GPS written phrase <\/p>\n\n\n\n

NYC\n\/ Spontaneous Interventions \/ Art In Odd Places retrospective \/ Patch<\/em> \/ intervention and video<\/p>\n\n\n\n

St.\nLouis \/ Reclining Islands<\/em> \/ Fort\nGondo Compound for the Arts, Leno Garden \/ raingarden with oversized lawn\nchairs made of historic carts <\/p>\n\n\n\n

Johnson,\nVT \/ Give Me Some Sugar<\/em> \/ with\nCaitlin Plunket and a sugar shack \/ poetry to trees written on active maple\nsyrup collecting bucket lids <\/p>\n\n\n\n

Villa\nAlegre, Chile \/ Museo con Piernas<\/em> \/\ninternational collaborative street procession with street dogs and capes <\/p>\n\n\n\n

Buenos\nAires & NYC \/ Mickey Mouse Operations<\/em>\n\/ one sidewalk block is cleaned of dog feces and redistributed from BA to NYC <\/p>\n\n\n\n

2013<\/p>\n\n\n\n

St.\nLouis & Brooklyn \/ The Luminary & NutureArt \/ On Compost and Reclaiming the  Redlining a City <\/em>\/ land art drawings into\ndistributable compost <\/p>\n\n\n\n

St.\nLouis \/ Satellite Show \/ To Escape<\/em> \/\nlayered translucent pages of a handmade book are hung in circumference of a\nroom <\/p>\n\n\n\n

St.\nLouis \/ WashU \/ Vulnerability as Strength\nin Social and Spatial Practices <\/em><\/p>\n\n\n\n

St.\nLouis \/ Mildred Kemper Lane Art Museum \/ Interdependence<\/em>\n\/ videos, tandem bike missing a chain, public check out of bike <\/p>\n\n\n\n

NYC\n\/ Let Me Impress You Authentically <\/em>\/\nwith Lisa Bulawsky and Carla Schwartz \/ participatory project, with embossment\nby paused pedestrians <\/p>\n\n\n\n

selected press, lectures, honors and residencies<\/strong><\/p>\n\n\n\n

Miami-Dade\nCounty Parks, Recreation and Open Spaces \/ Matheson Hammock Park, Artist in\nResidence \/ Miami, FL \/ Fall 2019-2020<\/p>\n\n\n\n

Mana\nContemporary \/ Studio Artist 2017-current<\/p>\n\n\n\n

Chiapas,\nMexico \/ Casa GIAP\/ Residency:  Creative Ecologies\nand Decolonial Futurities \/ 2019<\/p>\n\n\n\n

Miami-Dade\nCounty Department of Cultural Affairs \/ Art Access Grant \/ 2019<\/p>\n\n\n\n

Miami\n\/ IKT Congress Symposium \/ ARTicuating Sustainability: Resilience in the\nClimate Crisis? \/ 2019<\/p>\n\n\n\n

ArtCenter\nSouth Florida \/ International Artist in Residence program \/ Miami Beach, FL \/\n2014 \u2013 2017<\/p>\n\n\n\n

Kansas\nCity Art Institute \/ Artist in Residence \/ Kansas City \/ 2017<\/p>\n\n\n\n

International\nSculpture Center conference \/ Hold It\nBetter, Release It Carefully<\/em> \/ panelist \/ 2017<\/p>\n\n\n\n

ARTEFUSE\n\/ Review of Satellite Art Show<\/em> and Hope and Doom Projects<\/em> \/ 2016<\/p>\n\n\n\n

Zero\nHora \/ Review of Infiltra\u00e7\u00e3o<\/em> \/ Porto\nAlegre, Brazil \/ 2016<\/p>\n\n\n\n

Jornal\ndo Comercio \/ Review of Infiltra\u00e7\u00e3o<\/em> \/\nPorto Alegre, Brazil \/ 2016<\/p>\n\n\n\n

Galeria\nPeninsula \/ Artist in Residence \/ Porto Alegre, Brazil \/ 2016<\/p>\n\n\n\n

Penland\nSchool \/ Artist in Residence \/ Penland, NC \/ 2016<\/p>\n\n\n\n

Hyperallergic\n\/ review of HighTide at the Pharmacy, Satellite Show \/ December 4, 2015 <\/p>\n\n\n\n

AlltheArtStl:\nThe Visual Quarterly of St. Louis \/ The\nForgetting and the Remembering of the Air<\/em> article \/ Winter 2015<\/p>\n\n\n\n

AlltheArtStl:\nThe Visual Quarterly of St. Louis \/ Impossible\nWants<\/em> article \/ Fall 2015<\/p>\n\n\n\n

Washington\nUniversity in St. Louis \/ English Department \/ Impossible Wants<\/em> presentation with Maura Pellettieri \/ 2015<\/p>\n\n\n\n

Cleveland\nInstitute of Art \/ Unruly Engagements: On the Social Turn in Contemporary Art\n& Design \/ presenter, Impossible\nWants<\/em> \/ 2014<\/p>\n\n\n\n

Penland\nSchool \/ Core Fellowship Reunion Residency \/ Photography Studio \/ Penland, NC \/\n2014<\/p>\n\n\n\n

The\nLuminary \/ FLOAT (Collective) Isolation with Radical Intention \/ artist\nresidency with visiting Italian Collective \/ 2014<\/p>\n\n\n\n

Vermont\nStudio Center \/ international residency program \/ scholarship and fellowship \/\nJohnson, Vermont \/ 2014<\/p>\n\n\n\n

L.P.E.P.\n\/ international interventionist residency program \/ Buenos Aires, Argentina \/\n2014<\/p>\n\n\n\n

Curator\u00eda\nForense \/ international social practice residency program conducted in\nSpanish \/ Villa Alegre, Chile \/ 2014<\/p>\n\n\n\n

Washington\nUniversity in St. Louis \/ Production Grant \/ 2013<\/p>\n\n\n\n

The\nStudios of Key West \/ international residency program \/ 2011-12, 2014-15<\/p>\n\n\n\n

guest critic and visiting artist<\/strong><\/p>\n\n\n\n

Kansas City Art Institute <\/strong>\/ visiting artist \/ Printmaking \/ 2017<\/p>\n\n\n\n

Florida International University<\/strong> \/ visiting artist and guest critic \/ Drawing \/ 2017<\/p>\n\n\n\n

Florida International University<\/strong> \/ visiting artist and guest critic \/ Sculpture \/ 2015<\/p>\n\n\n\n

Washington University in St. Louis<\/strong> \/ Graduate Fine Arts \/ guest Thesis Advising \/ 2015<\/p>\n\n\n\n

Washington University in St. Louis \/ Landscape\nArchitecture <\/strong>\/ Advanced Landscape Architecture Studio \/ 2015<\/p>\n\n\n\n

Washington University in St. Louis \/ Architecture <\/strong>\/ Advanced Architecture Studio \/ 2014<\/p>\n\n\n\n

RISD <\/strong>\/ Graduate Studies \/ Visiting Artist \/ 2014<\/p>\n\n\n\n

community design<\/strong><\/p>\n\n\n\n

Reclining Islands \/ <\/strong>Designer, Builder and Project Manager \/Leno Garden at Fort Gondo compound for\nthe Arts \/ St. Louis \/ 2014<\/p>\n\n\n\n

Multi-bed\nrain garden that captures roof run-off is combined with oversized reclining\nlawn chairs on historic carts.  This\ngarden and dog park with native plants provides public space for arts\norganization visitors and their neighborhood.<\/p>\n\n\n\n

Youth Design\/Build \/ <\/strong>Art, Landscape and Ecology Director; Green Design\nStudio Director \/ RiverzEdge Arts Project \/ RI \/ 2010-11<\/p>\n\n\n\n

At\none of the nation’s top 10 youth art programs, leading GED seeking youth in\npublic art and design\/build projects to create understanding and ownership of\nthe Blackstone River and related ecosystems. \nSupervised and managed youth based Blackstone Canal Project which created\ninteractive teaching exhibits for the Blackstone Valley Corridor National\nHeritage Commission.<\/p>\n\n\n\n

Youth Design\/Build \/ <\/strong>Landscape Design Project Supervisor \/ RiverzEdge Arts\nProject  \/ Woonsocket, RI \/ 2009<\/p>\n\n\n\n

Led\nyouth in work experience program combining landscape architecture, planning,\nand public art.  The youth contributed to\nan urban design project to connect Main Street with the Blackstone River and RI\nbike path, and applied ecological and social issues in design\/build public art\nprojects at a local community garden. \nIncluded curriculum development for this and future projects. <\/p>\n\n\n\n

The Imaginarium<\/strong> \/ Designer and Project Manager \/ The Learning\nCommunity \/ Central Falls, RI \/ 2008<\/p>\n\n\n\n

A\ncollaborative design\/build process with students, teachers, administration and\nparents for outdoor play space at elementary school in RI\u2019s most densely\npopulated city. Included contribution to successful $110,000 funding proposal.                                                        <\/p>\n\n\n\n

community research<\/strong><\/p>\n\n\n\n

SGCI \/ <\/strong>Elastic Memory<\/em> <\/strong>\/ panelist presenting Portable\nMemories in Rising Seas<\/em> \/ 2020<\/strong><\/p>\n\n\n\n

Madres de Plaza de Mayo Linea Fundadora, Buenos Aires,\nArgentina <\/strong>\/ independent research with Madres who have marched every Thursday\nfor 40 years, holding networking conversations in a public city square as a\nform of social intervention and spatial disruption \/ 2014 \u2013 ongoing<\/p>\n\n\n\n

What is Changing<\/strong> \/ ongoing collection of first hand experiences of sea\nlevel rise changes in South Florida \/ 2013 \u2013 ongoing<\/p>\n\n\n\n

Washington University in St. Louis<\/strong> \/ Printmaking Studio Think Tank \/ Craving the Mark<\/em> \/ CAA Panelist \/ 2012<\/p>\n\n\n\n

Water Issues in South Florida <\/strong>\/ Independent Research \/ 2011 \u2013 ongoing<\/p>\n\n\n\n

Interviews\nwith local people who are engaged directly with water, including: pipeline\nplant workers who supplying drinking water to the Keys, desalinization plant workers\nwho continuously prepare for emergency, Native Miccosukee tribe members who monitor\nEverglades water quality issues and work with sea level rise concerns.<\/p>\n\n\n\n

studio & community practices<\/strong><\/p>\n\n\n\n

Jana Harper<\/strong> \/Assistant\nfor socially engaged project based in community interviews and site research \/\nColorado <\/p>\n\n\n\n

Jill Downen<\/strong> \/ Studio Assistant in sculptural installation and\nmixed media casting \/ St. Louis, MO               <\/p>\n\n\n\n

Ken Smith Landscape Architecture<\/strong> <\/em>\/ Studio Assistant with emphasis on model building and cultural\nresearch \/ New York, NY<\/p>\n\n\n\n

Ellen Driscoll<\/strong> \/ Studio Assistant \/ RISD Sculpture Faculty,\nSculptor, public art commissions and mixed media \/ Boston, MA <\/p>\n\n\n\n

Penland School of Crafts<\/strong> \/ Coffeehouse Manager; temporary Photography Studio\nCoordinator \/ Penland, NC<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

LAURENCIA STRAUSS laurencia.strauss@gmail.com | 786.423.7324 | http:\/\/laurenciastrauss.com education Washington University in St. Louis \/ Masters of Fine Arts Rhode Island School of Design \/ Masters of Landscape Architecture Penland School of Crafts \/ Core Fellowship Program California College of the Arts \/ BFA Sculpture with Honors Oberlin College \/ BA Women Studies, Environmental Studies, Black […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":3,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/laurenciastrauss.com\/index.php?rest_route=\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/laurenciastrauss.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/laurenciastrauss.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/laurenciastrauss.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/laurenciastrauss.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2"}],"version-history":[{"count":10,"href":"http:\/\/laurenciastrauss.com\/index.php?rest_route=\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":1399,"href":"http:\/\/laurenciastrauss.com\/index.php?rest_route=\/wp\/v2\/pages\/2\/revisions\/1399"}],"wp:attachment":[{"href":"http:\/\/laurenciastrauss.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}